Landscape Photography
by Tomasz Przychodzień

PRINTS

Some of my works are available in limited series of signed Fine Art prints. I print the photographs myself, using the best baryta paper from Hahnemuhle. You can find all the available works in the prints section.

WORKSHOPS AND EXPEDITIONS

As a part of the authorial project Light Guides, I lead photo workshops and expeditions in the world’s most unusual regions – we visit the Karakorum, the Dolomites and other locations. I offer group and individual tuition. To arrange the details, please contact me directly.

JOURNAL

Here I share my knowledge and photographic experience as well as practical experience with the gear I use every day. That’s also a place where you can find the most interesting stories related to the creation of my photographs.

GALLERIES

MY PERSPECTIVE

MONOCHROMATIC

Stone Cathedrals of the Karakoram Range

In Search of Lost Light

Uomo di Passo Giau

Closer

COLOUR

Colours of Interior

Iceland

My other works are available for viewing in the photographs section

JOURNAL

ABOUT LANDSCAPE PHOTOGRAPHY

Cumulus Neolite Endurance – review

Good down is essential. Without it, you won’t even take your camera out in the winter in the mountains. In the Alps, I tested the Cumulus Neolite Endurance jacket, finding out that there can be never too much down in winter..

Angelbird AV Pro 64GB V90 – memory card test

Memory card – an important but underestimated piece of gear. I took the Angelbird AV Pro V90 SDs to the Alps to see how they deal with difficult conditions. I gathered my impressions in a short review.

Tomasz Przychodzień - Maporto Relief Set

Maporto Relief Set (review)

I found out about Maporto Relief Set recently. The solution intrigued me so much that I decided to test it. Here’s a short review.

SOCIAL MEDIA

STAY UPDATED

I don’t value social media. I consider them rather a necessity. To me, Instagram or Facebook are tools made only to support their development, deprecating what is the most valuable in photography. Basing their system of operation on a mechanism of unreflective liking the things done by people who ‘like’ what we do creates a vicious circle in which the quality of created art becomes less and less important. I use social media absurdities on a daily basis and the number of likes is growing steadily. However, this is irrelevant in the context of the quality of images I create and the very process of their creation. Paradoxically, it was thanks to social media that many people got to know my photographs and the conversations we started online quickly moved to an offline world. If you ever find one of my social media profiles – write a message, ask a question, leave a trace. I like talking about photography and I value the contact with people which goes beyond mass likes clicking.